A Review: 'Scrooge' is long on talent; just the elixir for the holidays

Shows continue Thursday, run through Sunday

Photos

The cast of “Scrooge, the Musical,” stands with surprise guest Franc D’Ambrosio, the man behind the mask of “Phantom of the Opera.” D’Ambrosio stopped in at Ozark Actors Theatre on Saturday to catch a performance. The show continues this weekend.

  

Yellow Pages

By Alan Lewis Gerstenecker
Posted Nov 16, 2009 @ 12:04 PM
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Don’t worry, Rolla. Just like Ebenezer Scrooge, who after four ghosts came calling early Christmas morn, there is still time — time to snap into the holiday spirit and time to catch one of the remaining shows of “Scrooge, the Musical,” playing this week at the Ozark Actors Theatre.

This “Scrooge” is an artful rendition — the work of Leslie Briscusse — of Charles Dickens’ classic “A Christmas Carol” turned into a musical.

And make no mistake, you will leave this show both impressed with the local performances and your spirit rejuvenated for the holidays.

Just as Scrooge, who savored of the “Milk of Kindness” from the Ghost of Christmas Present, began to feel the spirit of Christmas, so will audiences in this inspiring, heart-warming tale of this 166-year-old holiday classic.

Kevin Edwards is brilliant in the role of Scrooge, easily portraying the ol’ skinflint, a man seemingly who had seen twice as many yuletide seasons.
Throughout the two-act, 11-scene production, performances of the local talent impress even the veterans of Broadway.

Franc D’Ambrosio, the man behind the mask in Phantom of the Opera in Rolla for his performance at Castleman Theater, attended Saturday evening’s performance and was astounded.

“They are unbelievable,” D’Ambrosio said. “They are so good. I can’t believe they’ve only been rehearsing for two weeks. Even on Broadway, we get eight weeks.”

Impressive, they are. Even to those familiar with the stellar performances of Broadway like D’Ambrosio.

Joel Nisbett is great in his role as Bob Cratchit, believable in his unending devotion to Scrooge, who until the end treats him poorly.

So is Paul Frisbee, who portrays Scrooge’s pauper nephew in his undying belief there is something good within Scrooge.

Tiny Tim, portrayed by Margaret Hamacher — that’s right, Tim is portrayed by a little girl — who has you double-checking your cast sheet. Hamacher shines as she sings and steals your heart, portraying the little boy whose life depends on Scrooge’s transformation.

What musical would be complete without a touch of dancing and high-stepping, and Scrooge has it as Benjamin Wegner, portraying Tom Jenkins, leaps, dances and high-kicks his way in Scene Five of the Second Act. Wegner even pulls off the act with a little touch of Brit in his accent, “Thank you very much!” Jenkins and company brought people to their feet in applause. Their performances may be the “nicest thing that anyone has ever done for me” this holiday season.

Don’t worry, Rolla. Just like Ebenezer Scrooge, who after four ghosts came calling early Christmas morn, there is still time — time to snap into the holiday spirit and time to catch one of the remaining shows of “Scrooge, the Musical,” playing this week at the Ozark Actors Theatre.

This “Scrooge” is an artful rendition — the work of Leslie Briscusse — of Charles Dickens’ classic “A Christmas Carol” turned into a musical.

And make no mistake, you will leave this show both impressed with the local performances and your spirit rejuvenated for the holidays.

Just as Scrooge, who savored of the “Milk of Kindness” from the Ghost of Christmas Present, began to feel the spirit of Christmas, so will audiences in this inspiring, heart-warming tale of this 166-year-old holiday classic.

Kevin Edwards is brilliant in the role of Scrooge, easily portraying the ol’ skinflint, a man seemingly who had seen twice as many yuletide seasons.
Throughout the two-act, 11-scene production, performances of the local talent impress even the veterans of Broadway.

Franc D’Ambrosio, the man behind the mask in Phantom of the Opera in Rolla for his performance at Castleman Theater, attended Saturday evening’s performance and was astounded.

“They are unbelievable,” D’Ambrosio said. “They are so good. I can’t believe they’ve only been rehearsing for two weeks. Even on Broadway, we get eight weeks.”

Impressive, they are. Even to those familiar with the stellar performances of Broadway like D’Ambrosio.

Joel Nisbett is great in his role as Bob Cratchit, believable in his unending devotion to Scrooge, who until the end treats him poorly.

So is Paul Frisbee, who portrays Scrooge’s pauper nephew in his undying belief there is something good within Scrooge.

Tiny Tim, portrayed by Margaret Hamacher — that’s right, Tim is portrayed by a little girl — who has you double-checking your cast sheet. Hamacher shines as she sings and steals your heart, portraying the little boy whose life depends on Scrooge’s transformation.

What musical would be complete without a touch of dancing and high-stepping, and Scrooge has it as Benjamin Wegner, portraying Tom Jenkins, leaps, dances and high-kicks his way in Scene Five of the Second Act. Wegner even pulls off the act with a little touch of Brit in his accent, “Thank you very much!” Jenkins and company brought people to their feet in applause. Their performances may be the “nicest thing that anyone has ever done for me” this holiday season.

Elise Hamacher’s portrayal of Isabel, a young Scrooge’s love interest, turns in a songbird performance that leaves the audience — and the elderly Scrooge — telling himself to forgo the greed and pursue her, to not let her get away, but then again, this is Scrooge. ...

All performances are stellar. Throughout, the show leaves you reminding yourself this is Community Theater at its finest. Look closely, you will see someone familiar, perhaps a neighbor.

Director Jeremy Gold Kronenberg does a magnificent job assembling the staff, many of whom have multiple portrayals.
Susan Holmes’ music direction is right on key and Gessell Caudill’s choreography is in sync throughout.

The show is right on, just the elixir needed to jumpstart the Christmas season — a hit for the holidays.

The show is sponsored by the law firm of Williams, Robinson, Rigler & Buschjost, Town & Country Bank, PCRMC, Dan & Steve at Benton Square, Investment Realty and Beger & Bushie law offices.

Tickets remain for all shows.

Call the Cedar Street Center at 364-9523.
 

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